the art of lawn tennis(网球的艺术)-第2章
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After you have acquired your racquet； make a firm resolve to use good
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tennis balls； as a regular bounce is a great aid to advancement； while a
〃dead〃 ball is no practice at all。
If you really desire to succeed at the game and advance rapidly； I
strongly urge you to see all the good tennis you can。 Study the play of the
leading players and strive to copy their strokes。 Read all the tennis
instruction books you can find。 They are a great assistance。 I shall be
accused of 〃press… agitating〃 my own book by this statement； but such was
my belief long before I ever thought of writing a book of my own。
More tennis can be learned off the court； in the study of theory； and in
watching the best players in action； than can ever be learned in actual play。
I do not mean miss opportunities to play。 Far from it。 Play whenever
possible； but strive when playing to put in practice the theories you have
read or the strokes you have watched。
Never be discouraged at slow progress。 The trick over some stroke you
have worked over for weeks unsuccessfully will suddenly come to you
when least expected。 Tennis players are the product of hard work。 Very
few are born geniuses at the game。
Tennis is a game that pays you dividends all your life。 A tennis racquet
is a letter of introduction in any town。 The brotherhood of the game is
universal； for none but a good sportsman can succeed in the game for any
lengthy period。 Tennis provides relaxation； excitement； exercise； and pure
enjoyment to the man who is tied hard and fast to his business until late
afternoon。 Age is not a drawback。 Vincent Richards held the National
Doubles Championship of America at fifteen； while William A。 Larned
won the singles at past forty。 Men of sixty are seen daily on the clubs'
courts of England and America enjoying their game as keenly as any boy。
It is to this game； in great measure； that they owe the physical fitness
which enables them to play at their advanced age。
The tennis players of the world wrote a magnificent page in the history
of the World War。 No branch of sport sent more men to the colours from
every country in the world than tennis； and these men returned with glory
or paid the supreme sacrifice on the field of honour。
I transgressed from my opening to show you that tennis is a game
worth playing and playing well。 It deserves your best； and only by learning
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it correctly can you give that best。
If in my book I help you on your way to fame； I feel amply repaid for
all the time spent in analysing the strokes and tactics I set before you in
these pages。
I am going to commence my explanation by talking to the players
whose games are not yet formed。 At least once every season I go back to
first principles to pull myself out of some rut into which carelessness
dropped me。
From a long and； many times； sad experience over a period of some
ten years of tournament tennis； I believe the following order of
development produces the quickest and most lasting results：
1。 Concentration on the game。
2。 Keep the eye on the ball。
3。 Foot…work and weight…control。
4。 Strokes。
5。 Court position。
6。 Court generalship or match play。
7。 Tennis psychology。
Tennis is a game of intimate personal relation。 You constantly find
yourself meeting some definite idea of your opponent。 The personal
equation is the basis of tennis success。 A great player not only knows
himself； in both strength and weakness； but he must study is opponent at
all times。 In order to be able to do this a player must not be hampered by a
glaring weakness in the fundamentals of his own game； or he will be so
occupied trying to hide it that he will have no time to worry his opponent。
The fundamental weakness of Gerald Patterson's backhand stroke is so
apparent that any player within his class dwarfs Patterson's style by
continually pounding at it。 The Patterson overhead and service are first
class； yet both are rendered impotent； once a man has solved the method
of returning low to the backhand； for Patterson seldom succeeds in taking
the offensive again in that point。
I am trying to make clear the importance of such first principles as I
will now explain。
CONCENTRATION
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Tennis is played primarily with the mind。 The most perfect racquet
technique in the world will not suffice if the directing mind is wandering。
There are many causes of a wandering mind in a tennis match。 The chief
one is lack of interest in the game。 No one should play tennis with an idea
of real success unless he cares sufficiently about the game to be willing to
do the drudgery necessary in learning the game correctly。 Give it up at
once unless you are willing to work。 Conditions of play or the noises in
the gallery often confuse and bewilder experienced match…players playing
under new surroundings。 Complete concentration on the matter in hand is
the only cure for a wandering mind； and the sooner the lesson is learned
the more rapid the improvement of the player。 An amusing example； to all
but the player affected； occurred at the finals of the Delaware State Singles
Championship at Wilmington。 I was playing Joseph J。 Armstrong。 The
Championship Court borders the No。 1 hole of the famous golf course。
The score stood at one set all and 3…4 and 30…40； Armstrong serving。 He
served a fault and started a second delivery。 Just as he commenced his
swing； a loud and very lusty 〃Fore！〃 rang out from the links。 Armstrong
unconsciously looked away and served his delivery to the backstop and
the game to me。 The umpire refused to 〃let〃 call and the incident closed。
Yet a wandering mind in that case meant the loss of a set。
The surest way to hold a match in mind is to play for every set； every
game in the set； every point in the game and； finally； every shot in the
point。 A set is merely a conglomeration of made and missed shots； and the
man who does not miss is the ultimate victor。
Please do not think I am advocating 〃pat…ball。〃 I am not。 I believe in
playing for your shot every time you have an opening。 I do not believe in
trying to win the point every time you hit the ball。 Never allow your
concentration on any game to become so great that you do not at all times
know the score and play to it。 I mean both point score and game score。 In
my explanation of match play in a later chapter I am going into a detailed
account of playing to the score。 It is as vital in tennis as it is in bridge； and
all bridge players know that the score is the determining factor in your
mode of bidding。 Let me urge again concentration。 Practise seriously。 Do
not fool on the court； as it is the worst enemy to progress。 Carelessness or
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laziness only results in retrogression； never progress。
Let me turn now to the first principle of all ball games； whether tennis；
golf； cricket； baseball； polo； or football。
KEEP YOUR EYE ON THE BALL！
Just a few statistics to show you how vital it is that the eye must be
kept on the ball UNTIL THE MOMENT OF STRIKING IT。
About 85 per cent of the points in tennis are errors； and the remainder
earned points。 As the standard of play rises the percentage of errors drops
until； in the average high…class tournament match； 60 per cent are errors
and 40 per cent aces。 Any average superior to this is super…tennis。
Thus the importance of getting the ball in play cannot be too greatly
emphasized。 Every time you put the ball back to your opponent you give
him another chance to miss。
There are several causes for missing strokes。 First； and by far the
largest class； is not looking at the ball up to the moment of striking it。
Fully 80 per cent of all errors are caused by taking the eye from the ball in
the last one…fifth of a second of its flight。 The remaining 20 per cent of
errors are about 15 per cent bad footwork； and the other 5 per cent poor
racquet work and bad bounces。
The eye is a small camera。 All of us enjoy dabbling in amateur
photography； and every amateur must take 〃action〃 pictures with his first
camera。 It is a natural desire to attain to the hardest before understanding
how to reach it。 The result is one of two things： either a blurred moving
object and a clear background； or a clear moving object and a blurred
background。 Both suggest speed； but only one is a good picture of the
object one attempted to photograph。 In the first case the camera eye was
focused on the background and not on the object； while in the second；
which produced the result desired； the camera eye was firmly focused on
the moving object itself。 Just so with the human eye。 It will give both
effects； but never a clear background and moving object at the same time；
once that object reaches a point 10 feet from the eye。 The perspective is
wrong； and the eye cannot adjust itself to the distance range speedily
enough。
Now the tennis ball is your moving object while the court； gallery； net；
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and your opponent constitute your background。 You desire to hit the ball
cleanly； therefore do not look at the other factors concerned； but
concentrate solely on focusing the e
