unconscious comedians-第2章

按键盘上方向键 ← 或 → 可快速上下翻页，按键盘上的 Enter 键可回到本书目录页，按键盘上方向键 ↑ 可回到本页顶部！
————未阅读完？加入书签已便下次继续阅读！



of　an　ex…portress。　With　her　was　a　slim　little　girl；　whose　eyes；

fringed　with　black　lashes；　had　lost　their　innocence　and　showed　great

weariness；　her　face；　of　a　pretty　shape；　was　fresh　and　her　hair

abundant；　her　forehead　charming　but　audacious；　her　bust　thin；in

other　words；　an　unripe　fruit。



〃That；〃　replied　Bixiou；　〃is　a　rat　tied　to　its　mother。〃



〃A　rat！what's　that？〃



〃That　particular　rat；〃　said　Leon；　with　a　friendly　nod　to　Mademoiselle

Ninette；　〃may　perhaps　win　your　suit　for　you。〃



Gazonal　bounded；　but　Bixiou　had　held　him　by　the　arm　ever　since　they

left　the　cafe；　thinking　perhaps　that　the　flush　on　his　face　was　rather

vivid。



〃That　rat；　who　is　just　leaving　a　rehearsal　at　the　Opera…house；　is

going　home　to　eat　a　miserable　dinner；　and　will　return　about　three

o'clock　to　dress；　if　she　dances　in　the　ballet　this　eveningas　she

will；　to…day　being　Monday。　This　rat　is　already　an　old　rat　for　she　is

thirteen　years　of　age。　Two　years　from　now　that　creature　may　be　worth

sixty　thousand　francs；　she　will　be　all　or　nothing；　a　great　danseuse　or

a　marcheuse；　a　celebrated　person　or　a　vulgar　courtesan。　She　has　worked

hard　since　she　was　eight　years　old。　Such　as　you　see　her；　she　is　worn

out　with　fatigue；　she　exhausted　her　body　this　morning　in　the　dancing…

class；　she　is　just　leaving　a　rehearsal　where　the　evolutions　are　as

complicated　as　a　Chinese　puzzle；　and　she'll　go　through　them　again　to…

night。　The　rat　is　one　of　the　primary　elements　of　the　Opera；　she　is　to

the　leading　danseuse　what　a　junior　clerk　is　to　a　notary。　The　rat　is

hope。〃



〃Who　produces　the　rat？〃　asked　Gazonal。



〃Porters；　paupers；　actors；　dancers；〃　replied　Bixiou。　〃Only　the　lowest

depths　of　poverty　could　force　a　child　to　subject　her　feet　and　joints

to　positive　torture；　to　keep　herself　virtuous　out　of　mere　speculation

until　she　is　eighteen　years　of　age；　and　to　live　with　some　horrible　old

crone　like　a　beautiful　plant　in　a　dressing　of　manure。　You　shall　see

now　a　procession　defiling　before　you；　one　after　the　other；　of　men　of

talent；　little　and　great；　artists　in　seed　or　flower；　who　are　raising

to　the　glory　of　France　that　every…day　monument　called　the　Opera；　an

assemblage　of　forces；　wills；　and　forms　of　genius；　nowhere　collected　as

in　Paris。



〃I　have　already　seen　the　Opera；〃　said　Gazonal；　with　a　self…sufficient

air。



〃Yes；　from　a　three…francs…sixty…sous　seat　among　the　gods；〃　replied　the

landscape　painter；　〃just　as　you　have　seen　Paris　in　the　rue　Croix…des…

Petits…Champs；　without　knowing　anything　about　it。　What　did　they　give

at　the　Opera　when　you　were　there？〃



〃Guillaume　Tell。〃



〃Well；〃　said　Leon；　〃Matilde's　grand　DUO　must　have　delighted　you。　What

do　you　suppose　that　charming　singer　did　when　she　left　the　stage？〃



〃Shewell；　what？〃



〃She　ate　two　bloody　mutton…chops　which　her　servant　had　ready　for　her。〃



〃Pooh！　nonsense！〃



〃Malibran　kept　up　on　brandybut　it　killed　her　in　the　end。　Another

thing！　You　have　seen　the　ballet；　and　you'll　now　see　it　defiling　past

you　in　its　every…day　clothes；　without　knowing　that　the　face　of　your

lawsuit　depends　on　a　pair　of　those　legs。〃



〃My　lawsuit！〃



〃See；　cousin；　here　comes　what　is　called　a　marcheuse。〃



Leon　pointed　to　one　of　those　handsome　creatures　who　at　twenty…five

years　of　age　have　lived　sixty；　and　whose　beauty　is　so　real　and　so　sure

of　being　cultivated　that　they　make　no　display　of　it。　She　was　tall；　and

walked　well；　with　the　arrogant　look　of　a　dandy；　her　toilet　was

remarkable　for　its　ruinous　simplicity。



〃That　is　Carabine；〃　said　Bixiou；　who　gave　her；　as　did　Leon；　a　slight

nod　to　which　she　responded　by　a　smile。



〃There's　another　who　may　possibly　get　your　prefect　turned　out。〃



〃A　marcheuse！but　what　is　that？〃



〃A　marcheuse　is　a　rat　of　great　beauty　whom　her　mother；　real　or

fictitious；　has　sold　as　soon　as　it　was　clear　she　would　become　neither

first；　second；　nor　third　danseuse；　but　who　prefers　the　occupation　of

coryphee　to　any　other；　for　the　main　reason　that　having　spent　her　youth

in　that　employment　she　is　unfitted　for　any　other。　She　has　been

rejected　at　the　minor　theatres　where　they　want　danseuses；　she　has　not

succeeded　in　the　three　towns　where　ballets　are　given；　she　has　not　had

the　money；　or　perhaps　the　desire　to　go　to　foreign　countriesfor

perhaps　you　don't　know　that　the　great　school　of　dancing　in　Paris

supplies　the　whole　world　with　male　and　female　dancers。　Thus　a　rat　who

becomes　a　marcheuse；that　is　to　say；　an　ordinary　figurante　in　a

ballet；must　have　some　solid　attachment　which　keeps　her　in　Paris：

either　a　rich　man　she　does　not　love　or　a　poor　man　she　loves　too　well。

The　one　you　have　just　seen　pass　will　probably　dress　and　redress　three

times　this　evening；as　a　princess；　a　peasant…girl；　a　Tyrolese；　by

which　she　will　earn　about　two　hundred　francs　a　month。〃



〃She　is　better　dressed　than　my　prefect's　wife。〃



〃If　you　should　go　to　her　house；〃　said　Bixiou；　〃you　would　find　there　a

chamber…maid；　a　cook；　and　a　man…servant。　She　occupies　a　fine　apartment

in　the　rue　Saint…Georges；　in　short；　she　is；　in　proportion　to　French

fortunes　of　the　present　day　compared　with　those　of　former　times；　a

relic　of　the　eighteenth　century　'opera…girl。'　Carabine　is　a　power；　at

this　moment　she　governs　du　Tillet；　a　banker　who　is　very　influential　in

the　Chamber　of　Deputies。〃



〃And　above　these　two　rounds　in　the　ballet　ladder　what　comes　next？〃

asked　Gazonal。



〃Look！〃　said　his　cousin；　pointing　to　an　elegant　caleche　which　was

turning　at　that　moment　from　the　boulevard　into　the　rue　Grange…

Bateliere；　〃there's　one　of　the　leading　danseuses　whose　name　on　the

posters　attracts　all　Paris。　That　woman　earns　sixty　thousand　francs　a

year　and　lives　like　a　princess；　the　price　of　your　manufactory　all　told

wouldn't　suffice　to　buy　you　the　privilege　of　bidding　her　good…morning

a　dozen　times。〃



〃Do　you　see；〃　said　Bixiou；　〃that　young　man　who　is　sitting　on　the　front

seat　of　her　carriage？　Well；　he's　a　viscount　who　bears　a　fine　old　name；

he's　her　first　gentleman　of　the　bed…chamber；　does　all　her　business

with　the　newspapers；　carries　messages　of　peace　or　war　in　the　morning

to　the　director　of　the　Opera；　and　takes　charge　of　the　applause　which

salutes　her　as　she　enters　or　leaves　the　stage。〃



〃Well；　well；　my　good　friends；　that's　the　finishing　touch！　I　see　now

that　I　knew　nothing　of　the　ways　of　Paris。〃



〃At　any　rate；　you　are　learning　what　you　can　see　in　ten　minutes　in　the

Passage　de　l'Opera；〃　said　Bixiou。　〃Look　there。〃



Two　persons；　a　man　and　a　woman；　came　out　of　the　Passage　at　that

moment。　The　woman　was　neither　plain　nor　pretty；　but　her　dress　had　that

distinction　of　style　and　cut　and　color　which　reveals　an　artist；　the

man　had　the　air　of　a　singer。



〃There；〃　said　Bixiou；　〃is　a　baritone　and　a　second　danseuse。　The

baritone　is　a　man　of　immense　talent；　but　a　baritone　voice　being　only

an　accessory　to　the　other　parts　he　scarcely　earns　what　the　second

danseuse　earns。　The　danseuse；　who　was　celebrated　before　Taglioni　and

Ellsler　appeared；　has　preserved　to　our　day　some　of　the　old　traditions

of　the　character　dance　and　pantomime。　If　the　two　others　had　not

revealed　in　the　art　of　dancing　a　poetry　hitherto　unperceived；　she

would　have　been　the　leading　talent；　as　it　is；　she　is　reduced　to　the

second　line。　But　for　all　that；　she　fingers　her　thirty　thousand　francs

a　year；　and　her　faithful　friend　is　a　peer　of　France；　very　influential

in　the　Chamber。　And　see！　there's　a　danseuse　of　the　third　order；　who；

as　a　dancer；　exists　only　through　the　omnipotence　of　a　newspaper。　If

her　engagement　were　not　renewed　the　ministry　would　have　one　more

journalistic　enemy　on　its　back。　The　corps　de　ballet　is　a　great　power；

consequently　it　is　considered　better　form　in　the　upper　ranks　of

dandyism　and　politics　to　have　relations　with　dance　than　with　song。　In

the　stalls；　where　the　habitues　of　the　Opera　congregate；　the　saying

'Monsieur　is　all　for　singing'　is　a　form　of　ridicule。〃



A　short　man　with　a　common　face；　quite　simply　dressed；　passed　them　at

this　moment。



〃There's　the　other　half　of　the　Opera　receiptsthat　man　who　just　went

by；　the　tenor。　There　is　no　longer　any　play；　poem；　music；　or

representation　of　any　kind　possible　unless　some　celebrated　tenor　can

reach　a　certain　note。　The　tenor　is　love；　he　is　the　Voice　that　touches

the　heart；　that　vibrates　in　the　soul；　and　his　value　is　reckoned　at　a

much　higher　salary　than　that　of　a　minister。　One　hundred　thousand

francs　for　a　throat；　one　hundred　thousand　francs　for　a　couple　of

ankle…bones；those　are　the　two　financial　scourges　of　the　Opera。〃



〃I　am　amazed；〃　said　Gazonal；　〃at　the　hundreds　of　thousands　of　francs

walking　about　here。〃



〃We'll　amaze　you　a　good　deal　more；　my　dear　cousin；〃　said　Leon　de　Lora。

〃We'll　take　Paris　as　an　artist　takes　his　violoncello；　and　show　you　how

it　is　played；in　short；　how　people　amuse　themselves　in　Paris。〃



〃It　is　a　kaleidoscope　with　a　circumference　of　twenty　miles；〃　cried

Gazonal。



〃Before　piloting　monsieur　about；　I　have　to　see　Gaillard；〃　said　Bixiou。



〃But　we　can　use　Gaillard　for　the　cousin；〃　replied　Leon。



〃What　sort　of　machine　is　that？〃　asked　Gazonal。



〃He　isn't　a　machine；　he　is　a　machinist。　Gaillard　is　a　friend　of　ours

who　has　ended　a　miscellaneous　career　by　becoming　the　editor　of　a

newspaper；　and　whose　character　and　finances　are　governed　by　movements

comparable　to　those　of　the　tides。　Gaillard　can　contribute　to　make　you

win　your　lawsuit〃



〃It　is　lost。〃



〃That's　the　very　moment　to　win　it；〃　replied　Bixiou。



When　they　reached　Theodore　Gaillard's　abode；　which　was　now　in　the　rue

de　Menars；　the　valet　ushered　the　three　friends　into　a　boudoir　and

asked　them　to　wait；　as　monsieur　was　in　secret　conference。



〃With　whom？〃　asked　Bixiou。



〃With　a　man　who　is　selling　him　the　incarceration　of　an　UNSEIZABLE

debtor；〃　replied　a　handsome　woman　who　now　appeared　in　a　charming

morning　toilet。



〃In　that　case；　my　dear　Suzanne；〃　said　Bixiou；　〃I　am　certain　we　may　go

in。〃



〃Oh！　what　a　beautiful　creature！〃　said　Gazonal。



〃That　is　Madame　Gaillard；〃　replied　Leon　de　Lora；　speaking　low　into　his

cousin's　ear。　〃She　is　the　most　humble…minded　woman　in　Paris；　for　she

had　the　public　and　has　contented　herself　with　a　husband。〃



〃What　is　your　will；　messeigneurs？〃　said　the　facetious　editor；　seeing

his　two　friends　and　imitating　Frederic　Lemaitre。



Theodore　Gaillard；　formerly　a　wit；　had　ended　by　becoming　a　stupid　man

in　consequence　of　remaining　constantly　in　one　centre；a　moral

phenomenon　frequently　to　be　observed　in　Paris。　His　principal　method　of

conversation　consisted　in　sowing　his　speeches　with　sayings　taken　from

plays　then　in　vogue　and　pronounced　in　imitation　of　well…known　actors。



〃We　have　come　to　blague；〃　said　Leon。



〃'Again；　young　men'〃　（Odry　in　the　Saltimbauques）。



〃Well；　this　time；　we've　got　him；　sure；〃　said　Gaillard's　other　visitor；

apparently　by　way　of　conclusion。



〃ARE　you　sure　of　it；　pere　Frome