zanoni-第12章
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me。〃
〃Pardon me; I was at that moment repressing a vague fear which
seemed prophetic。〃
〃And that〃
〃Was that we should meet again; when your opinions on Death and
the philosophy of Revolutions might be different。〃
〃Never!〃
〃You enchant me; Cousin Rene;〃 said the old man; who had listened
to his relation with delight。 〃Ah; I see you have proper
sentiments of justice and philanthropy。 Why did I not seek to
know you before? You admire the Revolution;you; equally with
me; detest the barbarity of kings and the fraud of priests?〃
〃Detest! How could I love mankind if I did not?〃
〃And;〃 said the old man; hesitatingly; 〃you do not think; with
this noble gentleman; that I erred in the precepts I instilled
into that wretched man?〃
〃Erred! Was Socrates to blame if Alcibiades was an adulterer and
a traitor?〃
〃You hear him; you hear him! But Socrates had also a Plato;
henceforth you shall be a Plato to me。 You hear him?〃 exclaimed
the old man; turning to the stranger。
But the latter was at the threshold。 Who shall argue with the
most stubborn of all bigotries;the fanaticism of unbelief?
〃Are you going?〃 exclaimed Dumas; 〃and before I have thanked you;
blessed you; for the life of this dear and venerable man? Oh; if
ever I can repay you;if ever you want the heart's blood of Rene
Dumas!〃 Thus volubly delivering himself; he followed the
stranger to the threshold of the second chamber; and there;
gently detaining him; and after looking over his shoulder; to be
sure that he was not heard by the owner; he whispered; 〃I ought
to return to Nancy。 One would not lose one's time;you don't
think; sir; that that scoundrel took away ALL the old fool's
money?〃
〃Was it thus Plato spoke of Socrates; Monsieur Dumas?〃
〃Ha; ha!you are caustic。 Well; you have a right。 Sir; we
shall meet again。〃
〃AGAIN!〃 muttered the stranger; and his brow darkened。 He
hastened to his chamber; he passed the day and the night alone;
and in studies; no matter of what nature;they served to
increase his gloom。
What could ever connect his fate with Rene Dumas; or the fugitive
assassin? Why did the buoyant air of Paris seem to him heavy
with the steams of blood; why did an instinct urge him to fly
from those sparkling circles; from that focus of the world's
awakened hopes; warning him from return?he; whose lofty
existence defiedbut away these dreams and omens! He leaves
France behind。 Back; O Italy; to thy majestic wrecks! On the
Alps his soul breathes the free air once more。 Free air! Alas!
let the world…healers exhaust their chemistry; man never shall be
as free in the marketplace as on the mountain。 But we; reader;
we too escape from these scenes of false wisdom clothing godless
crime。 Away; once more
〃In den heitern Regionen
Wo die reinen Formen wohnen。〃
Away; to the loftier realm where the pure dwellers are。
Unpolluted by the Actual; the Ideal lives only with Art and
Beauty。 Sweet Viola; by the shores of the blue Parthenope; by
Virgil's tomb; and the Cimmerian cavern; we return to thee once
more。
CHAPTER 1。IX。
Che non vuol che 'l destrier piu vada in alto;
Poi lo lega nel margine marino
A un verde mirto in mezzo un lauro E UN PINO。
〃Orlando Furioso;〃 c。 vi。 xxiii。
(As he did not wish that his charger (the hippogriff) should take
any further excursions into the higher regions for the present;
he bound him at the sea…shore to a green myrtle between a laurel
and a pine。)
O Musician! art thou happy now? Thou art reinstalled at thy
stately desk;thy faithful barbiton has its share in the
triumph。 It is thy masterpiece which fills thy ear; it is thy
daughter who fills the scene;the music; the actress; so united;
that applause to one is applause to both。 They make way for
thee; at the orchestra;they no longer jeer and wink; when; with
a fierce fondness; thou dost caress thy Familiar; that plains;
and wails; and chides; and growls; under thy remorseless hand。
They understand now how irregular is ever the symmetry of real
genius。 The inequalities in its surface make the moon luminous
to man。 Giovanni Paisiello; Maestro di Capella; if thy gentle
soul could know envy; thou must sicken to see thy Elfrida and thy
Pirro laid aside; and all Naples turned fanatic to the Siren; at
whose measures shook querulously thy gentle head! But thou;
Paisiello; calm in the long prosperity of fame; knowest that the
New will have its day; and comfortest thyself that the Elfrida
and the Pirro will live forever。 Perhaps a mistake; but it is by
such mistakes that true genius conquers envy。 〃To be immortal;〃
says Schiller; 〃live in the whole。〃 To be superior to the hour;
live in thy self…esteem。 The audience now would give their ears
for those variations and flights they were once wont to hiss。
No!Pisani has been two…thirds of a life at silent work on his
masterpiece: there is nothing he can add to THAT; however he
might have sought to improve on the masterpieces of others。 Is
not this common? The least little critic; in reviewing some work
of art; will say; 〃pity this; and pity that;〃 〃this should have
been altered;that omitted。〃 Yea; with his wiry fiddlestring
will he creak out his accursed variations。 But let him sit down
and compose himself。 He sees no improvement in variations THEN!
Every man can control his fiddle when it is his own work with
which its vagaries would play the devil。
And Viola is the idol; the theme of Naples。 She is the spoiled
sultana of the boards。 To spoil her acting may be easy enough;
shall they spoil her nature? No; I think not。 There; at home;
she is still good and simple; and there; under the awning by the
doorway;there she still sits; divinely musing。 How often;
crook…trunked tree; she looks to thy green boughs; how often;
like thee; in her dreams; and fancies; does she struggle for the
light;not the light of the stage…lamps。 Pooh; child! be
contented with the lamps; even with the rush…lights。 A farthing
candle is more convenient for household purposes than the stars。
Weeks passed; and the stranger did not reappear; months had
passed; and his prophecy of sorrow was not yet fulfilled。 One
evening Pisani was taken ill。 His success had brought on the
long…neglected composer pressing applications for concerti and
sonata; adapted to his more peculiar science on the violin。 He
had been employed for some weeks; day and night; on a piece in
which he hoped to excel himself。 He took; as usual; one of those
seemingly impracticable subjects which it was his pride to
subject to the expressive powers of his art;the terrible legend
connected with the transformation of Philomel。 The pantomime of
sound opened with the gay merriment of a feast。 The monarch of
Thrace is at his banquet; a sudden discord brays through the
joyous notes;the string seems to screech with horror。 The king
learns the murder of his son by the hands of the avenging
sisters。 Swift rage the chords; through the passions of fear; of
horror; of fury; and dismay。 The father pursues the sisters。
Hark! what changes the dreadthe discordinto that long;
silvery; mournful music? The transformation is completed; and
Philomel; now the nightingale; pours from the myrtle…bough the
full; liquid; subduing notes that are to tell evermore to the
world the history of her woes and wrongs。 Now; it was in the
midst of this complicated and difficult attempt that the health
of the over…tasked musician; excited alike by past triumph and
new ambition; suddenly gave way。 He was taken ill at night。 The
next morning the doctor pronounced that his disease was a
malignant and infectious fever。 His wife and Viola shared in
their tender watch; but soon that task was left to the last
alone。 The Signora Pisani caught the infection; and in a few
hours was even in a state more alarming than that of her husband。
The Neapolitans; in common with the inhabitants of all warm
climates; are apt to become selfish and brutal in their dread of
infectious disorders。 Gionetta herself pretended to be ill; to
avoid the sick…chamber。 The whole labour of love and sorrow fell
on Viola。 It was a terrible trial;I am willing to hurry over
the details。 The wife died first!
One day; a little before sunset; Pisani woke partially recovered
from the delirium which had preyed upon him; with few intervals;
since the second day of the disease; and casting about him his
dizzy and feeble eyes; he recognised Viola; and smiled。 He
faltered her name as he rose and stretched his arms。 She fell
upon his breast; and strove to suppress her tears。
〃Thy mother?〃 he said。 〃Does she sleep?〃
〃She sleeps;ah; yes!〃 and the tears gushed forth。
〃I thoughteh! I know not WHAT I have thought。 But do not
weep: I shall be well now;quite well。 She will come to me
when she wakes;will she?〃
Viola could not speak; but she busied herself in pouring forth an
anodyne; which she had been directed to give the sufferer as soon
as the delirium should cease。 The doctor had told her; too; to
send for him the instant so important a change should occur。
She went to the door and called to the woman who; during
Gionetta's pretended illness; had been induced to supply her
place; but the hireling answered not。 She flew through the
chambers to search for her in vain;the hireling had caught
Gionetta's fears; and vanished。 What was to be done? The case
was urgent;the doctor had declared not a moment should be lost
in obtaining his attendance; she must leave her father;she must
go herself! She crept back into the room;the anodyne seemed
already to have taken benign effect; the patient's eyes were
closed; and he breathed regularly; as in sleep。 She stole away;
threw her veil over her face; and hurried from the house。
Now the anodyne had not produced the effect which it appeared to
have done; instead of healthful sleep; it had brought on a kind
of light…headed somnolence; in which the mind; preternaturally
restless; wandered about its accustomed haunts; waking up its old
familiar instincts and inclinations。 It was not sleep;it was
not delirium; it was the dream…wakefulness which opium sometimes
induces; when every nerve grows tremulously alive; and creates a
corresponding activity in the frame; to which it gives a false
and hectic vigour。 Pisani missed something;what; he scarcely
knew; it was a combination of the two wants most essential to his
mental life;the voice of his wife; the touch of his Familiar。
He rose;he left his bed; he leisurely put on his old
dressing…robe; in which he had been wont to compose。 He smiled
complacently as the associations connected with the garment came
over his memory; he walked tremulously across the room; and
entered the small cabinet next to his chamber; in which his wife
had b