zanoni-第26章
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because I have no sympathy with his subjects。 His saints and
virgins are to me only men and women。〃
〃And from what source should painting; then; take its themes?〃
〃From history; without doubt;〃 returned Nicot; pragmatically;
〃those great Roman actions which inspire men with sentiments of
liberty and valour; with the virtues of a republic。 I wish the
cartoons of Raphael had illustrated the story of the Horatii; but
it remains for France and her Republic to give to posterity the
new and the true school; which could never have arisen in a
country of priestcraft and delusion。〃
〃And the saints and virgins of Raphael are to you only men and
women?〃 repeated Glyndon; going back to Nicot's candid confession
in amaze; and scarcely hearing the deductions the Frenchman drew
from his proposition。
〃Assuredly。 Ha; ha!〃 and Nicot laughed hideously; 〃do you ask me
to believe in the calendar; or what?〃
〃But the ideal?〃
〃The ideal!〃 interrupted Nicot。 〃Stuff! The Italian critics;
and your English Reynolds; have turned your head。 They are so
fond of their 'gusto grande;' and their 'ideal beauty that speaks
to the soul!'soul!IS there a soul? I understand a man when
he talks of composing for a refined taste;for an educated and
intelligent reason; for a sense that comprehends truths。 But as
for the soul;bah!we are but modifications of matter; and
painting is modification of matter also。〃
Glyndon turned his eyes from the picture before him to Nicot; and
from Nicot to the picture。 The dogmatist gave a voice to the
thoughts which the sight of the picture had awakened。 He shook
his head without reply。
〃Tell me;〃 said Nicot; abruptly; 〃that imposter;Zanoni!oh! I
have now learned his name and quackeries; forsooth;what did he
say to thee of me?〃
〃Of thee? Nothing; but to warn me against thy doctrines。〃
〃Aha! was that all?〃 said Nicot。 〃He is a notable inventor; and
since; when we met last; I unmasked his delusions; I thought he
might retaliate by some tale of slander。〃
〃Unmasked his delusions!how?〃
〃A dull and long story: he wished to teach an old doting friend
of mine his secrets of prolonged life and philosophical alchemy。
I advise thee to renounce so discreditable an acquaintance。〃
With that Nicot nodded significantly; and; not wishing to be
further questioned; went his way。
Glyndon's mind at that moment had escaped to his art; and the
comments and presence of Nicot had been no welcome interruption。
He turned from the landscape of Salvator; and his eye falling on
a Nativity by Coreggio; the contrast between the two ranks of
genius struck him as a discovery。 That exquisite repose; that
perfect sense of beauty; that strength without effort; that
breathing moral of high art; which speaks to the mind through the
eye; and raises the thoughts; by the aid of tenderness and love;
to the regions of awe and wonder;ay! THAT was the true school。
He quitted the gallery with reluctant steps and inspired ideas;
he sought his own home。 Here; pleased not to find the sober
Mervale; he leaned his face on his hands; and endeavoured to
recall the words of Zanoni in their last meeting。 Yes; he felt
Nicot's talk even on art was crime; it debased the imagination
itself to mechanism。 Could he; who saw nothing in the soul but a
combination of matter; prate of schools that should excel a
Raphael? Yes; art was magic; and as he owned the truth of the
aphorism; he could comprehend that in magic there may be
religion; for religion is an essential to art。 His old ambition;
freeing itself from the frigid prudence with which Mervale sought
to desecrate all images less substantial than the golden calf of
the world; revived; and stirred; and kindled。 The subtle
detection of what he conceived to be an error in the school he
had hitherto adopted; made more manifest to him by the grinning
commentary of Nicot; seemed to open to him a new world of
invention。 He seized the happy moment;he placed before him the
colours and the canvas。 Lost in his conceptions of a fresh
ideal; his mind was lifted aloft into the airy realms of beauty;
dark thoughts; unhallowed desires; vanished。 Zanoni was right:
the material world shrunk from his gaze; he viewed Nature as from
a mountain…top afar; and as the waves of his unquiet heart became
calm and still; again the angel eyes of Viola beamed on them as a
holy star。
Locking himself in his chamber; he refused even the visits of
Mervale。 Intoxicated with the pure air of his fresh existence;
he remained for three days; and almost nights; absorbed in his
employment; but on the fourth morning came that reaction to which
all labour is exposed。 He woke listless and fatigued; and as he
cast his eyes on the canvas; the glory seemed to have gone from
it。 Humiliating recollections of the great masters he aspired to
rival forced themselves upon him; defects before unseen magnified
themselves to deformities in his languid and discontented eyes。
He touched and retouched; but his hand failed him; he threw down
his instruments in despair; he opened his casement: the day
without was bright and lovely; the street was crowded with that
life which is ever so joyous and affluent in the animated
population of Naples。 He saw the lover; as he passed; conversing
with his mistress by those mute gestures which have survived all
changes of languages; the same now as when the Etruscan painted
yon vases in the Museo Borbonico。 Light from without beckoned
his youth to its mirth and its pleasures; and the dull walls
within; lately large enough to comprise heaven and earth; seemed
now cabined and confined as a felon's prison。 He welcomed the
step of Mervale at his threshold; and unbarred the door。
〃And is that all you have done?〃 said Mervale; glancing
disdainfully at the canvas。 〃Is it for this that you have shut
yourself out from the sunny days and moonlit nights of Naples?〃
〃While the fit was on me; I basked in a brighter sun; and imbibed
the voluptuous luxury of a softer moon。〃
〃You own that the fit is over。 Well; that is some sign of
returning sense。 After all; it is better to daub canvas for
three days than make a fool of yourself for life。 This little
siren?〃
〃Be dumb! I hate to hear you name her。〃
Mervale drew his chair nearer to Glyndon's; thrust his hands deep
in his breeches…pockets; stretched his legs; and was about to
begin a serious strain of expostulation; when a knock was heard
at the door; and Nicot; without waiting for leave; obtruded his
ugly head。
〃Good…day; mon cher confrere。 I wished to speak to you。 Hein!
you have been at work; I see。 This is well;very well! A bold
outline;great freedom in that right hand。 But; hold! is the
composition good? You have not got the great pyramidal form。
Don't you think; too; that you have lost the advantage of
contrast in this figure; since the right leg is put forward;
surely the right arm should be put back? Peste! but that little
finger is very fine!〃
Mervale detested Nicot。 For all speculators; Utopians; alterers
of the world; and wanderers from the high road; were equally
hateful to him; but he could have hugged the Frenchman at that
moment。 He saw in Glyndon's expressive countenance all the
weariness and disgust he endured。 After so wrapped a study; to
be prated to about pyramidal forms and right arms and right legs;
the accidence of the art; the whole conception to be overlooked;
and the criticism to end in approval of the little finger!
〃Oh;〃 said Glyndon; peevishly; throwing the cloth over his
design; 〃enough of my poor performance。 What is it you have to
say to me?〃
〃In the first place;〃 said Nicot; huddling himself together upon
a stool;〃in the first place; this Signor Zanoni;this second
Cagliostro;who disputes my doctrines! (no doubt a spy of the
man Capet) I am not vindictive; as Helvetius says; 'our errors
arise from our passions。' I keep mine in order; but it is
virtuous to hate in the cause of mankind; I would I had the
denouncing and the judging of Signor Zanoni at Paris。〃 And
Nicot's small eyes shot fire; and he gnashed his teeth。
〃Have you any new cause to hate him?〃
〃Yes;〃 said Nicot; fiercely。 〃Yes; I hear he is courting the
girl I mean to marry。〃
〃You! Whom do you speak of?〃
〃The celebrated Pisani! She is divinely handsome。 She would
make my fortune in a republic。 And a republic we shall have
before the year is out。〃
Mervale rubbed his hands; and chuckled。 Glyndon coloured with
rage and shame。
〃Do you know the Signora Pisani? Have you ever spoken to her?〃
〃Not yet。 But when I make up my mind to anything; it is soon
done。 I am about to return to Paris。 They write me word that a
handsome wife advances the career of a patriot。 The age of
prejudice is over。 The sublimer virtues begin to be understood。
I shall take back the handsomest wife in Europe。〃
〃Be quiet! What are you about?〃 said Mervale; seizing Glyndon as
he saw him advance towards the Frenchman; his eyes sparkling; and
his hands clenched。
〃Sir!〃 said Glyndon; between his teeth; 〃you know not of whom you
thus speak。 Do you affect to suppose that Viola Pisani would
accept YOU?〃
〃Not if she could get a better offer;〃 said Mervale; looking up
to the ceiling。
〃A better offer? You don't understand me;〃 said Nicot。 〃I; Jean
Nicot; propose to marry the girl; marry her! Others may make her
more liberal offers; but no one; I apprehend; would make one so
honourable。 I alone have pity on her friendless situation。
Besides; according to the dawning state of things; one will
always; in France; be able to get rid of a wife whenever one
wishes。 We shall have new laws of divorce。 Do you imagine that
an Italian girland in no country in the world are maidens; it
seems; more chaste (though wives may console themselves with
virtues more philosophical)would refuse the hand of an artist
for the settlements of a prince? No; I think better of the
Pisani than you do。 I shall hasten to introduce myself to her。〃
〃I wish you all success; Monsieur Nicot;〃 said Mervale; rising;
and shaking him heartily by the hand。
Glyndon cast at them both a disdainful glance。
〃Perhaps; Monsieur Nicot;〃 said he; at length; constraining his
lips into a bitter smile;〃perhaps you may have rivals。〃
〃So much the better;〃 replied Monsieur Nicot; carelessly; kicking
his heels together; and appearing absorbed in admiration at the
size of his large feet。
〃I myself admire Viola Pisani。〃
〃Every painter must!〃
〃I may offer her marriage as well as yourself。〃
〃That would be folly in you; though wisdom in me。 You would not
know how to draw profit from the speculation! Cher confrere; you
have prejudices。〃
〃You do not dare to say you would make profi